|
|
 |
|
La niña que siempre miraba el sol
|
|
Águeda López
|
|
It all begins with an eight-year-old girl. Alma is not only a victim of bullying, but also discovers a family secret that shatters the happiness of her home. It is then she holds onto a dream that will define every single step from then on. With bravery and persistence, she will leave behind those years of loneliness and shyness, to shine in a runway ...
|
|
Read more ➔
|
|
 |
|
Los muchachos del apocalipsis
|
|
Jorge Galán
|
|
The characters in this novel live in a slum in the Central-American city of San Salvador, El Salvador. They follow their own code and seem to live at the edge of everything, on another universe. So close and yet so far at the same time. It is a sordid world, where neither the author nor the protagonists let themselves be caught.
|
|
Read more ➔
|
|
|
 |
|
Las damitas Histeria
|
|
Verónica Monti and Bárbara Malacara
|
|
Bárbara and Vero, comedians and content creators who have won a special place among their audience through their podcast “Las Damitas Histeria” / “The Little Ladies's Hysteria”, invite us into a conversation in their own unique style.
|
|
Read more ➔
|
|
 |
|
Tinta invisible
|
|
Javier Peña
|
|
We often consider our body as a mere spectator in our lives, indifferent to what we experience and feel. However, the body continuously experiences, remembers, and expresses itself with signals that we don’t always know how to decipher. Natalia Seijo, a psychologist specializing in ...
|
|
Read more ➔
|
|
|
|
|
|
Kristen Stewart
|
|
American actress and filmmaker
|
|
Before becoming a filmmaker, Kristen Stewart was, above all, a voracious reader. Books have always been her refuge and fuel, often guiding her creative instincts more than any script ever could. It was, in fact, through reading that she discovered The Chronology of Water, the memoir that would ignite her directorial debut. Stewart, who has long expressed admiration for poetry, philosophy, and feminist literature, also harbors a quiet passion for the Spanish language. She’s been learning it for a while—out of love for its rhythm, emotion, and expressive power. “Spanish feels like a language made for cinema,” she’s said, often toying with the idea of directing in it someday.
|
|
Read more ➔
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
Interview with Antonio Muñoz Molina who writes about 'Don Quixote'
|
|
There are works that accompany us throughout our lives and at each stage reveal things that are as significant as they are different from each other. For Antonio Muñoz Molina, those books have been ‘En busca del tiempo perdido,’ by Proust; the ‘Essays’, by Montaigne, and, naturally, ‘Don Quixote’, which came into his hands as a child rummaging through a dusty trunk in his house in Úbeda.
|
|
Read more ➔
|
|
|
|
 |
|
Miedoso
|
|
Pablo Bernasconi
|
|
A huge monster lives under Nina’s bed. He’s enormous… But he’s a monster that’s too scared to come out. Want to know why?. This is an original and delightful story that explores fear, courage, and poses an intriguing question: Can fear be afraid too?
Pablo Bernasconi, a multi-award-winning illustrator and author of ...
|
|
Read more ➔
|
|
|
|
|
|
|
